We helped the famous architecture firm to transmit its concept of avant-garde, design and sustainable innovation. Through a unique visual proposal we tried to reflect the uniqueness and excellence of their projects. Our purpose was to position its brand as a reference in the national and international sector.
With this challenge we took on one of our most referenced and awarded projects at national level.
Faced with this first great challenge, we wanted to raise the proposal to levels that were beyond our knowledge at the time. Our intention was to make an impact, to develop a timeless project that would make people talk and be a pioneer in Spain.
To this end, we won over the Ortiz León studio with a disruptive proposal and a clear predisposition towards the unknown. It was risky but all the suggestions had solid arguments to back them up.
Our proposal had to be visually elegant and aesthetically attractive, limiting unnecessary text content and enhancing the photographic content.
We looked for a concept that would act as a common thread and we found in the grid a common link between design and architecture. Thus we divided the screen into sixteen equal parts and took them as the basis for designing all the modules so that they would fit perfectly on the screen.
In terms of development, it was the first project where we applied technologies that we had not worked with before and that helped us to experiment with the animations and their performance.
All this helped us to implement new methodologies that helped us to lay the foundations and create our own design and development system.
We helped the famous architecture firm to transmit its concept of avant-garde, design and sustainable innovation. Through a unique visual proposal we tried to reflect the uniqueness and excellence of their projects. Our purpose was to position its brand as a reference in the national and international sector.
With this challenge we took on one of our most referenced and awarded projects at national level.
Faced with this first great challenge, we wanted to raise the proposal to levels that were beyond our knowledge at the time. Our intention was to make an impact, to develop a timeless project that would make people talk and be a pioneer in Spain.
To this end, we won over the Ortiz León studio with a disruptive proposal and a clear predisposition towards the unknown. It was risky but all the suggestions had solid arguments to back them up.
Our proposal had to be visually elegant and aesthetically attractive, limiting unnecessary text content and enhancing the photographic content.
We looked for a concept that would act as a common thread and we found in the grid a common link between design and architecture. Thus we divided the screen into sixteen equal parts and took them as the basis for designing all the modules so that they would fit perfectly on the screen.
In terms of development, it was the first project where we applied technologies that we had not worked with before and that helped us to experiment with the animations and their performance.
All this helped us to implement new methodologies that helped us to lay the foundations and create our own design and development system.
Digital Brand
Strategy
and Design
Digital
Creative Direction
Digital
Art Direction
Design Strategy
applied
to Metaverses
Digital
Product Design
Visual
Design
User
experience
Interaction
design
Design
Systems
App
Design
Video &
Animation
Digital
Experiences
Web
Development
Creative
Programming
3D
Experiences
Virtual &
Augmented Reality
2022 – BBVA Open Innovation (HM)
2021 – Casa Batlló Experience (HM)
2021 – Analytica Alimentaria (SOTD)
2020 – Spain Collection (SOTD)
2020 – Revista El Duende (SOTD)
2018 – Fazeta Producciones (HM)
2018 – Analytica Project (SOTD)
2017 – Love for Iceland (SOTD)
2017 – Veintidós Grados V2 (SOTD)
2022 – Casa Batlló Experience (Laus GOLD)
2022 – Autonomy Real Estate (Laus Silver)
2022- Caledonian (Laus Bronze)
2020 – Spain Collection (Laus Silver)
2020 – Revista el Duende (Laus Bronze)
2018 – Analytica Projects (CSSDA)
2018 – Fazeta Producciones (CSSDA)
2017 – Veintidós Grados (Laus Bronze)
2017 – Veintidós Grados (Behance)
2017 – Love for Iceland (Behance)
2016 – Veintidós Grados (CSSDA)
2016 – Círculo de Empresarios (Behance)
2017 – Love for Iceland (CSSDA)